Lena.
She had never played piano in her life. She was a violinist. But there she was, picking out a melody with one finger on the virtual keys. It was the tune she used to hum while cooking dinner—a silly, made-up song about burnt toast and forgotten groceries. Elias had recorded it once on his phone, years ago, but the phone was long dead.
He put on the visor. The world dissolved. He was standing in a vast, impossible space: a room that was not a room, but a memory of a room. Soft light filtered through tall windows that overlooked a city made of liquid silver. In the center stood a piano—not a Steinway, but a Fazioli, its red interior like a wound waiting to be kissed.
He sat down. The haptic gloves were so sensitive he could feel the simulated texture of the ivory keys: cool, smooth, forgiving.
