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One afternoon, Eliska’s ball rolled into Veronika’s garden. When the little girl hesitantly followed it, she found Veronika kneeling in the soil, holding a shriveled, brown potato.
Every few days, Eliska returned. Veronika would hand her a watering can or a trowel, and they would work in silence. Veronika showed her how to listen to the soil (it makes a tiny sigh when it’s thirsty) and how to tell a ripe pea pod from a shy one (the shy ones hide under leaves).
Veronika smiled. “They always do.”
By spring, the sad potato had yielded a dozen new potatoes. And Eliska had started speaking again—first to the garden, then to her parents, then to the children at school.
“For the next sad potato. Pass it on.”
Veronika didn’t ask questions. She didn’t say what’s wrong? or why don’t you speak? Instead, she simply worked. She dug a small trench, laid the sad potato inside, and covered it with dark earth.
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The classical scanning mode where the variation of a focal plane if any is pre-calculated with a focus map and later the motorized XY stage captures optimally focused images by translating across the region of the scanning.
Uses single 40X or 20X objective combined with a secondary overhead camera for capturing preview (thumbnail) of the full slide including the barcode area. veronika pagacova
Whole slide imaging is preferred over other modes when exhaustive image capture is needed for deferred access. Veronika would hand her a watering can or
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An all powerful scanning mode where multiple images covering all focal planes are captured at every field. The end result is essentially a whole slide scan mixed with pre-captured Z-stack at every position. “They always do
Similar to WSI mode, Volume scanning uses a single 40X or 20X objective combined with a secondary overhead camera for capturing preview (thumbnail) of the full slide including the barcode area.
Volume scanning is preferred over WSI when exhaustive image capture is needed for slides with overlapping cells such as Fine Needle Aspiration Biopsy slides, Pap smear slides etc.
One afternoon, Eliska’s ball rolled into Veronika’s garden. When the little girl hesitantly followed it, she found Veronika kneeling in the soil, holding a shriveled, brown potato.
Every few days, Eliska returned. Veronika would hand her a watering can or a trowel, and they would work in silence. Veronika showed her how to listen to the soil (it makes a tiny sigh when it’s thirsty) and how to tell a ripe pea pod from a shy one (the shy ones hide under leaves).
Veronika smiled. “They always do.”
By spring, the sad potato had yielded a dozen new potatoes. And Eliska had started speaking again—first to the garden, then to her parents, then to the children at school.
“For the next sad potato. Pass it on.”
Veronika didn’t ask questions. She didn’t say what’s wrong? or why don’t you speak? Instead, she simply worked. She dug a small trench, laid the sad potato inside, and covered it with dark earth.
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