- Yee-haw - Pornmegaload -2018- | River Fox

The documentary won a minor award at a film festival in Omaha. Jasper didn’t see it. He was busy filming “Cooking with Critters: Opossum Omelette Surprise.” Mayor Pringles Can stole the eggs. It was, by all accounts, a masterpiece.

“See that?” he said. “Every night, that river reflects the sky. And every night, it’s different. That’s content. But the river don’t care if you watch. It just flows. Yee-haw ain’t about the money or the views. It’s about making a ruckus because the silence would be worse.” River Fox - Yee-Haw - PornMegaLoad -2018-

And so the River Fox continued, a lone, laughing voice on the edge of nowhere, broadcasting joy, static, and the occasional possum hiss into the great, quiet dark. Yee-haw, indeed. Yee-haw. The documentary won a minor award at a

Jasper turned off his mic. “Because yee-haw ain’t a product, ma’am. It’s a feeling. And you can’t algorithm a feeling.” It was, by all accounts, a masterpiece

Then Jasper hit the airwaves. He didn’t perform a song. He performed a live, twelve-minute improvised audio drama titled “The Ballad of the River Fox vs. The Rectangle-Faced Woman Who Hates Fun.” In it, he cast Sloan as a robotic coyote who wanted to pave the river and replace all the fish with QR codes. He used a kazoo for her dialogue and a rusty saw for her evil laugh.

For three years, Jasper ruled as the undisputed king of Stillwater Bend’s airwaves. That is, until a sleek, grim-faced media conglomerate named PrairieWave Collective noticed the micro-territory. They had a mandate: total sonic hegemony. They sent a representative, a young woman named Sloan with a clipboard and no sense of humor, to “optimize the market.”

The Ballad of the River Fox