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Billy smuggles out cassette tapes of her new songs—blues-infused psych-pop with lyrics about borrowed voices and stolen credit. They become instant hits. Billy calls his mysterious collaborator “Echo.” The press goes wild. Who is this ghost?

Delia is now ECHO ST. JAMES (65), a reclusive gospel choir director in South Central. She hasn’t touched secular music in forty years. But when a white British teenager—teen idol BILLY SUNDAY (17)—wanders into her church basement looking for “real soul,” something cracks open. Billy’s handlers have him singing bubblegum ditties. He wants to mean something. PornMegaLoad.17.04.27.Maya.Milano.Wow.Maya.XXX....

One night, after Flood beats her protégé—a 16-year-old trumpet player named LEROY—Delia realizes she will never own her work, her name, or her freedom. So she stages a train derailment. A burned coat. A misidentified body. Tin Pan Alley mourns “the tragic loss of a promising maid.” Delia vanishes. Billy smuggles out cassette tapes of her new

The story unfolds through a Netflix-style true-crime music documentary. Interview clips: an elderly Delia, sharp as a tack, sitting in a garden. A middle-aged Billy Sunday, now a revered elder statesman of rock, wiping away tears. Lost studio reels. A private investigator who spent fifteen years chasing a dead woman’s paper trail. Who is this ghost