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But look at the box office today. Look at the Emmy nominees. Look at the auteurs behind the camera. We want the prequel, yes

We are living in a renaissance of the mature woman in entertainment . And it is glorious. Let’s be honest about the trope: The "Invisible Woman" was a myth manufactured by a male-dominated industry that didn’t know what to do with a female lead who wasn't a damsel or a love interest. But look at the box office today

When writes a kitchen, it becomes a character. When Greta Gerwig dissects a doll, she forces us to look at the terror of being put on a shelf (literally). When Nicole Holofcener writes a dialogue scene between two 55-year-old friends, it doesn't feel like a lecture; it feels like eavesdropping.

We want the prequel, yes. But we are starving for the sequel.

From action heroes to nuanced lovers, Hollywood is waking up to what we’ve always known: A woman in her 50s, 60s, and beyond is the most interesting character in the room.

But look at the box office today. Look at the Emmy nominees. Look at the auteurs behind the camera.

We are living in a renaissance of the mature woman in entertainment . And it is glorious. Let’s be honest about the trope: The "Invisible Woman" was a myth manufactured by a male-dominated industry that didn’t know what to do with a female lead who wasn't a damsel or a love interest.

When writes a kitchen, it becomes a character. When Greta Gerwig dissects a doll, she forces us to look at the terror of being put on a shelf (literally). When Nicole Holofcener writes a dialogue scene between two 55-year-old friends, it doesn't feel like a lecture; it feels like eavesdropping.

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