Yet, two decades later, the film is not only alive—it is thriving. For a generation of millennials, EuroTrip is less a movie and more a rite of passage. It is the cinematic equivalent of a gap year: messy, offensive, ludicrously horny, and surprisingly heartfelt. For the uninitiated: Scott Thomas (Scott Mechlowicz) is a straight-laced Ohio grad who gets dumped by his girlfriend. He discovers that his German pen pal, Mieke (Jessica Boehrs), is actually a beautiful model who wrote him love letters he never read. Fueled by a killer opening track (Lustra’s “Scotty Doesn’t Know”), he drags his best friend Cooper (Jacob Pitts) on a whirlwind trip across Europe, picking up fraternal twins Jenny (Michelle Trachtenberg) and Jamie (Travis Wester) along the way.
In the pantheon of early 2000s teen comedies, EuroTrip occupies a strange, glorious purgatory. It was never a box office titan (grossing just $20 million domestically), nor was it a critical darling. Sandwiched between the hangover of American Pie and the rise of Judd Apatow’s more nuanced bro-comedies, it should have been a footnote. EuroTrip
Moreover, the friendship between Scott and Cooper is refreshingly loyal. Cooper is a hedonist, but he never abandons his friend. The final shot of the film—the four friends on a beach, covered in robot sex doll parts—is a surprisingly sweet depiction of found family. In the age of hyper-aware, quippy streaming comedies, EuroTrip feels like a relic from a more reckless era. It was rated R for a reason: nudity, language, drug use, and a truly unforgettable scene involving a crepe and a suggestive hand gesture. Yet, two decades later, the film is not