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Nostalgia as Algorithm: The Remediation of Eski Yerli Filmler in Contemporary Turkish Digital Media

(To be assigned) Affiliation: (Department of Media Studies / Cultural Heritage) Date: April 2026 Abstract (150 words) Old Turkish films (Eski Yerli Filmler), produced predominantly between the 1960s and 1980s during the Yeşilçam era, have experienced a significant digital renaissance. Once dismissed as technically rudimentary or melodramatic, these films are now repurposed as dynamic entertainment content on platforms like YouTube, TikTok, and Exxen. This paper investigates the transition of Eski Yerli Filmler from decaying celluloid to viral media assets. Using a mixed-method approach—archival analysis, platform observation, and discourse analysis of user comments—the study identifies three key remediation strategies: nostalgic kitsch (intentional embrace of low-fidelity aesthetics), memetic fragmentation (recontextualizing iconic scenes as GIFs and sound bites), and algorithmic curation (YouTube playlists for “comfort viewing”). The paper argues that the enduring appeal of these films lies not in their cinematic quality but in their affective authenticity and intergenerational humor. Ultimately, Eski Yerli Filmler function as a counter-narrative to glossy globalized content, serving as a unique repository of Turkish cultural memory and adaptive entertainment. 1. Introduction In the landscape of Turkish media, the term eski yerli filmler evokes a specific sensory register: crackling audio, theatrical acting, abrupt zooms, and moralistic storylines. Produced under industrial constraints, the Yeşilçam system (named after Istanbul’s film district) churned out hundreds of films annually, often as adaptations of Western hits or formulaic romantic melodramas (Arslan, 2011). For decades, these films were consigned to late-night television slots or VHS archives, derided by critics as “low culture.” Eski Yerli Porno Filmler