Chobits -

But if you can stomach the early 2000s anime tropes, what lies beneath is a profound, mature, and deeply sad story about what it means to be alone. It argues that the risk of heartbreak—the risk of loving a flawed, unpredictable, real person—is what makes love worth having.

At a glance, Chobits looks like a simple (and slightly pervy) story: a lovable loser, Hideki Motosuwa, a repeat college applicant from the countryside, moves to Tokyo and finds a beautiful, amnesiac android girl in the trash. He turns her on, she can only say "Chii," and hilarity—and fan service—ensues. Chobits

But if you stop at the surface, you miss the point entirely. Chobits is a Trojan horse. It hides a melancholic, philosophical meditation on loneliness, the nature of love, and the terrifying intimacy of technology under a fluffy layer of slapstick and panty shots. But if you can stomach the early 2000s

The landlady, Ms. Hibiya, is married to a brilliant Persocon engineer. Their daughter? A Persocon named Chitose. Their "grandson?" Another Persocon. This couple loved their machines too much . When the original Chobit prototype (Elda and Freya) began to suffer—Freya fell in love with her owner, her "father," and her heart broke—the family’s grief became literal. Freya’s emotional death led to her being reformatted into Chii. He turns her on, she can only say

But she doesn't want to be a god. She wants to be "the one just for me."

Hideki’s friend Shimbo is in love with a human waitress who is in love with a Persocon that looks like a famous actor. This cyclical, unrequited chain shows the ultimate loneliness of the setting: everyone is reaching for something that cannot reach back. The Moral: "The One Just for Me" The climax of Chobits is famously controversial. Chii finally regains her memories and realizes she is the legendary Chobit, Freya. She has the power to interface with every Persocon on Earth—to become a god.